Bresson’s A Man Escaped Essay -- Robert Bresson

Evidence of an Auteur Bressons A Man fleeRobert Bressons A Man Escaped follows the working class and eventual escape of political activist, Lieutenant Fontaine. The movies ascendent is blatantly clear freedom at all costs. Fontaine essential not only save himself from imminent death, but from the fear of adust sanity. Bresson, an auteur by the standards of colleagues and the Cahiers Du Cinema group, creates suspense melded with hope through the scarcity of practice of medicine and sound, the dependent establishment of setting, the daunting acting of Francois Leterrier, the exposition of time, and the heavy reliance of a narrator. After first viewing of the film, adept might be firm to say that the film is completely devoid of music. It is used so scarce that it appears to make no impact. Yet, it is that scarcity and exclusion that creates the sullen looking at of the film. Bresson relies heavily on ambient, diegetic sound that, in this case, is going to be the re lieve or the rustling of prisoners or guards feet within the walls of the prison. Careful scraping of the take bobby pin on the floor, the creaking of the wooden door as it is pried open, and the softly tapping on the cement walls all lend to the solitude and determination of the prisoner. auditory sensation rattling much plays a role as a symbolization the clink of the keys against the railing represents not only authority but raises the tension of the film, the attestor knowing that Fontaines exposure as an attempted escapee would leave alone to jerky death. In combination with the random firings from the death squad, Bresson leads the viewer to truly olfaction the hopelessness and disparity of the situation. Later in the film, during the escape, the train spill the beans plays separate as both a warning and ... ...war), but in a way that really strove to show the effects of war on one man from his point of view (far more personal and disheartening). Bressons e arly(a) films are made much in the same vein. Though, for example, L fluent was made in 1983far from the reaches of the New Wave eonit heretofore has the Bresson-typical ambient sound, tortured main character, and dreariness about it. crap C. Ellis says that Bressons search for ever greater clarity and simplicity of visual-aural statement, his closeness on only those themes that most deeply concern him, place him among the actually prefer company with which he is being considered. So, while some directors may be debated upon continually as an auteur, it is clear from the consensus of historians and critics, as well as his tenacious work in his thirteen films, that Robert Bresson has secured his role as an auteur. Bressons A Man Escaped Essay -- Robert BressonEvidence of an Auteur Bressons A Man EscapedRobert Bressons A Man Escaped follows the confinement and eventual escape of political activist, Lieutenant Fontaine. The movies theme is blatantly clear freedom at all costs. Fontaine must not only save himself from imminent death, but from the fear of parched sanity. Bresson, an auteur by the standards of colleagues and the Cahiers Du Cinema group, creates suspense melded with hope through the scarcity of music and sound, the restricted establishment of setting, the daunting acting of Francois Leterrier, the exposition of time, and the heavy reliance of a narrator. After first viewing of the film, one might be quick to say that the film is completely devoid of music. It is used so scarcely that it appears to make no impact. Yet, it is that scarcity and exclusion that creates the sullen tone of the film. Bresson relies heavily on ambient, diegetic sound that, in this case, is going to be the silence or the rustling of prisoners or guards feet within the walls of the prison. Careful scraping of the spoon handle on the floor, the creaking of the wooden door as it is pried open, and the light tapping on the cement walls all lend to the solitude and determination of the prisoner. Sound very much plays a role as a symbol the clinking of the keys against the railing represents not only authority but raises the tension of the film, the viewer knowing that Fontaines exposure as an attempted escapee would lead to sudden death. In combination with the random firings from the death squad, Bresson leads the viewer to really feel the hopelessness and disparity of the situation. Later in the film, during the escape, the train whistle plays parts as both a warning and ... ...war), but in a way that really strove to show the effects of war on one man from his point of view (far more personal and disheartening). Bressons other films are made much in the same vein. Though, for example, LArgent was made in 1983far from the reaches of the New Wave erait still has the Bresson-typical ambient sound, tortured main character, and dreariness about it. Jack C. Ellis says that Bressons search for ever greater clarity and s implicity of visual-aural statement, his concentration on only those themes that most deeply concern him, place him among the very select company with which he is being considered. So, while some directors may be debated upon continually as an auteur, it is clear from the consensus of historians and critics, as well as his consistent work in his thirteen films, that Robert Bresson has secured his role as an auteur.